Casting : Saravanan, Namritha, Aroul D Shankar, Shanmugham, Thiruselvam, Vijayashree, Iniya Ram
Directed By : Balaji Selvaraj
Music By : Vibin Baskar
Produced By : 18 Creators – Sasikala Prabhakaran
Namritha tries to join as an assistant to lawyer Saravanan, who works as an ordinary notary and types up complaints. Saravanan refuses, saying that it is not right for her to join as an assistant to him, who is sitting outside the court, avoiding the case and arguments.
A man sets himself on fire in the court premises demanding justice for his kidnapped daughter. Saravanan, who comes to the conclusion that he must get justice for her, files a public interest litigation regarding the incident. Accordingly, Saravanan informs the court that the daughter of the person who died after setting himself on fire has been kidnapped and that the police station concerned has refused to accept the complaint regarding it, and registers the public interest litigation as a habeas corpus case. The judges order the police to produce the woman in court.
Saravanan, who sets out to find the woman before the police can find her, learns that the woman had disappeared 20 years ago and that her father, who died in a fire, had been mentally ill for a long time. So why did he now file a complaint that his daughter had been kidnapped? The next episodes take many twists and turns, asking the question, Did Saravanan, who took up the case after a long time, win? What is the status of the missing woman? The rest of the story is about Saravanan, who plays the role of a lawyer, and has acted very realistically. Despite wearing a black robe and speaking in the courtroom, actor Saravanan perfectly handles the role of an ordinary lawyer named Sundaramoorthy with his modest acting and natural body language, earning applause.
Namritha, who plays Saravanan’s assistant, is amazing in her performance as a courageous and courageous woman.
Arul D. Shankar, Shanmugam, Tiruchelvam, Vijaysree, Iniya Ram, who have played other roles, have added strength to the exciting screenplay with their moderate performances.
Cinematographer S. Gokulkrishnan has shown it from various angles and has kept all the episodes moving without getting bored, even though it is a story that travels entirely through the courtroom, including the court complex and the court case hearing.
Music composer Vipin Bhaskar has handled both the songs and the background music in a moderate manner. Although he is portrayed as an ordinary lawyer, he has shown that character as a mass in many places through his bejeom.
The screenplay of films is fast-paced, but for the first time, editor Ravana has edited the scenes so that the screenplay of a web series travels at a fast pace. He has edited the film so fast that it is not known how the seven episodes ended.
Although the story of the writer Surya Pratap S. has a resemblance to some previously released courtroom dramas, he has moved it in a different and interesting style through the screenplay and twists.
Balaji Selvaraj, who is directing the series, takes the series to a different direction with a sudden twist of a kidnapped woman, then a girl who went missing 20 years ago. Who is the same woman again? He raises the question in the minds of the audience, arousing the desire to see the woman and creating the expectation of what would have happened to her, making them watch all 7 episodes without blinking their eyes.
