Casting : Vijay antony, Ajai Deeshan, Mahanadhi Shankar, Samuthrakani, Ramachandran, Brigida, Deepshika, Archana, Kanimozhi
Directed By : Leo John Paul
Music By : Vijay Antony
Produced By : Vijay Antony Film Corporation – Fatima Vijay Antony
A mysterious man kills a woman by injecting her with a chemical and throwing her body in a garbage bin. When Vijay Antony, a former police officer from Mumbai, learns about this murder, he is shocked and comes to Chennai to personally investigate the case. The Chennai police provide him with some help. Vijay Antony, who starts the investigation, brings Ajay Deeshan into his investigation circle through the clues he finds. However, his strange actions raise many doubts, and on the other side, another woman is murdered in the same style. Who is Ajay Deeshan, who is caught in the police investigation circle? What is the background to the murders? How does Vijay Antony find the real culprit? ‘Morgan’ is a combination of the usual crime suspense thriller style and the new field of the Siddhas’ Siddha game.
Vijay Antony has played the role of an investigating officer who can be handled with assault. Despite the damage caused by the chemical, the investigation he carries out and his body language have helped the screenplay move interestingly.
It seems that his character was designed to prove that debutant actor Ajay Theesan has mastered all the skills. He has also proven that acting, action, romance, sentimentality come to him.
Actors who have played other roles such as Samuthirakani, Brigita, Mahanathi Shankar, Ramachandran, Deepshika, Archana, Kanimozhi have traveled to add strength to the screenplay.
Vijay Antony’s music, songs and background music make the audience pay close attention to even ordinary scenes. The background music has added a lot of strength to the film, making the audience forget even some of the lapses in the screenplay and travel with the story.
Cinematographer S. Yuva’s camera is set according to the crime thriller style. In particular, he has handled the scenes in such a way that even ordinary objects play an important role in the twist of the screenplay.
Although the screenplay by Vishnu and Leo John Paul is in the usual crime thriller style, the Siddhas’ Siddha play is designed to add extra interest to it. However, without fully telling it, the screenplay suddenly takes a different path, which is a bit disappointing for the audience.
Leo John Paul, who has written and directed it, is a successful film editor, so he has been very clear about how and when to tell any story. He has set up the scenes to such an extent that the audience decides that he is the culprit in the first half of the film, and how Vijay Antony is going to prove that he is the culprit? He moves the answer to the question very briskly.
However, although the introduction of unexpected branching stories and characters in the second half creates twists in the screenplay, by the end of the film, the audience is bored with the same old grinded flour…
