Casting : Vadivelu, Fahadh Faasil, Kovai Sarala, Sithara, Vivek Prasanna, Renuka, Livingston,PL Thenappan, Five Star Krishna, Haritha Mutharasan
Directed By : Sudheesh Sankar
Music By : Yuvan Shankar Raja
Produced By : Super Good Films – RB Choudary
A situation arises where the old man Vadivelu and the old man Vadivelu have to travel together. When Bhagat Faasil learns that Vadivelu has money, he continues to travel with him to snatch the money from him. But even though he travels with Bhagat Faasil, unbeknownst to him, Vadivelu uses his identities to track down and kill some people. Who is Vadivelu? What is the connection between the murders he commits and Bhagat Faasil? The rest of the story is about this.
The realistic acting and comedy of Vadivelu and Bhagat Faasil, who play the heroes of the story, keeps the film moving in an interesting way. Vadivelu, who suffers from amnesia, and Bhagat Basil, who pretends to be a good man and tries to extort money, have competed in their roles. They carry the entire film on their shoulders, deceiving each other and planning the other without anyone knowing.
Vadivelu, who has added strength to the character of Velayudham Pillai with his innocent face, revenge in his eyes, and calm actions in every movement, has acted moderately in sentimental scenes and has been amazing.
Bhagat Basil, who is a skilled thief and has a dashing performance, has accompanied Vadivelu. In order for Vadivelu to score throughout the film, they have tried to give Bhagat Basil a little opportunity in the final scene and give him priority.
Kovai Sarala, Sithara, Vivek Prasanna, Renuka, Livingston, P.L. Thenappan, Krishna, and Haritha have acted in a way that suits the characters and added strength to the flow of the screenplay.
Although the songs in Yuvan Shankar Raja’s music are not as expressive, some of Ilayaraja’s songs have been used in the right places. The background music has traveled in a way that adds additional strength to the emotions and mysterious twists in the story.
Cinematographer Kalaiselvan Sivaji has realistically depicted the journey of the two, and has kept the audience entertained by displaying the emotional connection between the two and their natural acting without being distracted.
Although the story that starts emotionally suddenly takes the form of a crime suspense genre, editor Srijith Sarang has edited the scenes in such a way that the entire film travels as an emotional work.
V. Krishnamoorthy, who has written the story, screenplay, dialogues and worked as the creative director, has moved the film in an interesting way, with two characters on a journey and some mysteries in the middle of that journey.
Director Sudheesh Shankar, who has some unexpected twists in the first and second half, such as Bhagat Basil trying to deceive Vadivelu, Vadivelu deceiving Bhagat Basil and killing him, has spoken about the social problems that have been discussed in many films in a different style and has expressed them in an interesting way in the language of the screen.
Although the first half of the film moves with expectations and is interesting, the attempt to give importance to Bhagat Basil in the second half, just as Vadivelu has importance, makes the film a bit sluggish. Leaving aside that shortcoming, it is definitely a film worth watching.
