Linga and RS Karthik, who lose their father at a young age, grow up in the care of their mother, Janaki Suresh. The younger son RS Karthik, who thinks that his elder son Linga is too affectionate, gets angry with his mother and brother. Meanwhile, Linga, a suspect in a murder case, goes to a juvenile reform school. Due to some problems encountered there, Linga commits some more murders and the prison sentence increases.
Linga’s mother tries to get her son out on parole at one point, fighting to somehow get him out. But did brother RS Karthik, who did not like this, try to prevent his brother from getting paroled, and finally Linga got paroled? Isn’t it? That is the story of ‘Parole’.
Linga, who has acted in small roles in many films, is playing the lead role for the first time. In the role of Karigalan, who crawls with rough looks, he has shown the same quality in acting and added strength to the role.
RS Karthik, who gets attention as an actor who can act naturally, impresses with his realistic performance in this film as well. It seems to be a little overacting in some places. If it is fixed, RS Karthik will definitely have a permanent place in Kodambakkam.
Both Kalpika and Monisha Murali who play the heroines have done their job flawlessly. Janaki Suresh’s performance as the mother is fine but overdone at some points. Playing a lawyer, Vinothy gets attention in the courtroom scenes.
Cinematographer Mahesh Rajkumar has been a huge strength for the film. Mahesh Rajkumar’s cinematography has played an important role in connecting the audience with the story.
Although the songs in Amal’s music are okay, the background music gets the attention and travels well with the storyline.
What is Parole, given the ego rivalry between two brothers? What is new is that director Duvarak Raja has told it in detail. The court scenes and plot are all so natural that one becomes one with the film itself.
All the actors in the film, including the protagonists, are suitable for the characters and the director has hired them in the right way, which has added strength to the film.
Although there are some confusions in some places, director Duvarak Raja, who corrects that defect with his making and moves the film interestingly, has said what he wants to say neatly and keeps the scenes brief and moves the film without any lag. Especially the way things like what to do to get parole are said and displayed are interesting.
All in all, ‘Parole’ can be watched.
