Casting : Arun Vijay, Pallak Lalwani, Sindhu Sankar, Kaali Venkat, R. N. R. Manohar, Baby Desina
Directed By : G. N. R. Kumaravelan
Music By : Shabir
Produced By : Movie Slides Pvt Ltd – R. Vijayakumar
Arun Vijay, an honest police sub-inspector, falls in love with heroine Balak Lalwani and gets married. Growing up in an orphanage, Arun Vijay lives as if his wife and child are his world.
Balak Lalwani, who was returning home, did not return home after a long time. While Arun Vijay is looking for him, he gets information that Palak Lalwani has been murdered and another man is found murdered next to him.
How could the mysterious wife be murdered within minutes of talking on the phone? What is the background to his murder? Who is the murdered man? Not only as a policeman, but also as a husband who loves Arun Vijay, it is ‘Chinam’ that tells vividly and emotionally how Arun Vijay finds out.
Perfect for the role of a police officer, Arun Vijay impresses with his majestic performance and emotional performance. Not only does he act as an aggressive cop, but he is also disturbing in his performances as a husband who loses his wife and a father who is unable to comfort a child who is grieving the loss of his mother.
Balak Lalwani, who is playing the lead role, has captured the hearts of the fans in the opening scene. Although his character dies halfway through the film, his death leaves a huge impact on fans.
Sidhu Shankar’s character and acting is getting attention as he plays the role of a police inspector who is harassing Arun Vijay. Real police? He is natural in appearance and acting in the way that he asks, and he has shown villainy like stabbing a knife while smiling.Even more so, in the scene where Arun Vijay, who has lost his wife, goes to his heart’s content in the name of investigation, the movie-goers get angry with him.
All the actors in the film, including Kali Venkat who plays the role of a police constable, RNR Manohar who plays a high-ranking officer, Rekha Suresh, have acted according to their roles.
Cinematographer S. Gopinath has not only traveled with the story but also shot all the scenes in live locations to add strength to the scenes. He has shown the night scenes especially well.
All the songs in Shabir’s music are listenable. The background music travels without changing the course of the story.
Many Tamil films have talked about drug addiction crimes. But in this film, not only the crime and its background, but its pain is told in a way that conveys the pain to the viewers.
Although R.Saravanan’s story is a story we have already seen in Tamil cinema, the screenplay and visuals by director GNR Kumaravelan are not only lively but also interesting.
Who killed the heroine? Like Arun Vijay stuttering on the question, director Kumaravelan, who has designed the scenes in such a way that even the viewers can’t guess, the film’s biggest strength is that it moves the film without losing its momentum until the final scene.
Director Kumaravelan’s clever screenplay strategy on one side and Arun Vijay’s performance on the other side compete with each other and keep us hooked for two hours. Moreover, the film’s biggest success is that the sentiment in the film travels without slowing down the pace of the screenplay and disturbs us as well.
All in all, ‘sinam’ is a watchable and socially necessary film.
