Casting : Tanya S Ravichandran, Daniel Balaji, K.Bhagyaraj, Aruldoss, Tamizh, Nayana Sai, Swetha Dorathi, Jack Arunachalam, Ranga
Directed By : JP
Music By : Ghibran Vaibodha
Produced By : Radiant international films & Atul India Movies – Pratik D chhatbar, Atul M Bosamiya
Tanya Ravichandran, a doctor at a government hospital in Kasimedu area of Chennai, does a job honestly without succumbing to anyone’s threats or orders, including a police inspector, a former MLA, and a medical secretary. Due to this, Daniel Balaji, a terrible rowdy in the area, threatens to kill her.
The Chennai Police Commissioner, who intervenes in the matter, calls Daniel Balaji, threatens him, and humiliates him. Enraged by this, Daniel Balaji tries to take revenge on Tanya Ravichandran despite the police’s warning. ‘BB 180’ tells the events that happen after that in a lively and somewhat illogical way.
Tanya Ravichandran, who plays the role of Doctor Thangam, the heroine of the story, is a courageous woman, and impresses with her modest performance. Despite the threats, she is determined to complete her medical work honestly and indifferent to the threats of her enemies. She is a fierce fighter in the scenes where she ignores the threats of her enemies. The challenge that Daniel Balaji gives to her, who focuses on her work amidst his threats, finally shakes the theater.
Daniel Balaji, in the role of Kasimedu Rowdy Arnold, although the antics he does seem a bit over the top, has very neatly expressed the way he forgets his own position and acts in accordance with the title of the film. When a woman shatters his idea of a hero who cannot be defeated by anyone, a man who loves other people’s wives, he expresses his anger through his eyes and establishes himself as a monster not only as a character but also as an actor.
Although director K. Bhagyaraj creates great expectations with a compelling character, his character loses strength in the second half.
Aruldas, who plays the former MLA, Tamil, who plays the police commissioner, Jack Arunachalam, who plays the social activist, Swetha Dorathy, who plays the heroine’s sister, Ranga, who plays the brother, and Nayana, who plays the friend, have done the job given to them flawlessly.
Cinematographer Ramalingam has created magic with his camera in both darkness and day.
Although there are no songs, composer Ghibran, who has conveyed the tension in the scenes to the audience through his background score, has expressed the mood of the two main characters through his music.
Editor Ilayaraja Shekhar, who has edited the scenes to keep the film moving with great anticipation from the beginning to the interval, has edited the film without reducing the excitement of the screenplay while traveling in a commercial style in the second half.
Written and directed by J.P., the conflict between the female doctor of the government hospital and the rowdy and the consequences that arise from it, keeps the audience in awe throughout the first half through making. At the same time, he has trapped the screenplay in logical violations through some scenes and ended it as a typical commercial film.
Director JP, who has a scene in which he shows the photo of the current Tamil Nadu Chief Minister M.K. Stalin in the Police Commissioner’s office and makes the police proud, and in the next few minutes, he has a scene in which he causes trouble not only for the Police Commissioner but also for the entire police force, seems to be supporting the opposition parties who accuse them of not having good law and order in Tamil Nadu.
The question of whether a rowdy, no matter what his plan, can do this to a Police Commissioner? shows that the film is far from reality. Otherwise, the making and the way the characters are introduced have added great strength to the film.
