Casting : Kalaiyarasan, Sofia, Sandy, Ammu Abhirami, Janani, Subash, Gouri G Kishan, Adithya Bhaskar,
Directed By : Vignesh Karthick
Music By : Satish Raghunathan, Vaan
Produced By : Balamanimarban K J, Suresh Kumar, Gokul Benoy
The producer, expecting a different story from the director who comes to narrate the story, gives him only 10 minutes. The director, who is forced to narrate the story and impress the producer, tells a story depicting men doing all the things that women do after marriage, tying a thali around a man’s neck. Hearing this story, which is a way to make women feel proud and tell their unspeakable frustrations, the producer keeps asking the director for the story.
Similarly, the director tells three more stories. Although these three stories are unrelated to each other as an anthology, there is a connection between the director who tells these four stories and the producer who listens to them. They are the director Vignesh Karthik and the producer KJ Palamanimarban.
In these four stories told by the two of them together, the first story, the marriage story starring Kelari Kishan – Aditya Bhaskar, is a celebration of feminism, and in the present era, when women achieve equal to men, women are still subjected to patriarchy in the name of marriage.
The second one is about the love story between Sandy and Ammu Abhirami, so the director leaves the question to the fans without giving any solution to the problem in the story.
“If you get blood, we get tomato chutney? Subhash-Janani has acted in the third story which focuses on the question that women ask men. Subhash, who turns into a male sex worker due to chance, tells his girlfriend Janani that it is lust, only you are in love, and Janani’s response is one sided, but the scene between mother and son in the same story and the double meaning verses related to it are ridiculous. .
The fourth story, centered on the couple Kalaiyarasan-Sophia, is meant to expose the cruelty of reality shows on children on television. Why doesn’t the law that criminalizes employment of children, cast children in such TV shows and bully them with inappropriate scenes and dialogues? The director has also warned the parents about the question.
All the stars who have acted in the four stories have conveyed the emotions of the stories to the fans through their performances.
Gokul Binay’s cinematography focuses on the four stories in four different settings.
Music composers Sathish Raghunathan and Vaan’s music revolves around the story with background music and background beejeom to refresh the fans.
Director Vignesh Karthik, who has tried to give a full-length film by keeping four short stories in the anthology style, though he captivates the audience with the first story, the two stories that follow it and the way it is handled make them frown.
Then finally, with the ‘fame game’ story, the one who captivates the fans again, advises the parents and gets praise.
