Balu Varghese, the hero, has a nearsightedness that prevents him from seeing well in low light. So, his marriage ends and his job is lost. Thus, he ventures into starting his own business. Then, a crowd comes forward to buy the idol of Lord Ganesha in his mother Urvashi’s pooja room for a huge sum. At the same time, Urvashi’s relatives decide to build a new temple and place the idol in it.
Balu Varghese, who is hoping to find light in his life through a Ganesha idol, faces some problems with the same Ganesha idol. Balu Varghese, who meets his new friend Charles to help him out of his troubles, recovers from his troubles? No?, what happened to his Ganesha statue? ‘Charles Enterprises’ is what it says.
Balu Varghese, who plays the hero of the story, attracts attention with his innocent face and acting that suits it.
Kalaiyarasan, who plays the role of Charles, goes missing after the introductory scene. Again the entrant after the interval has the entire film on his shoulders.
Urvashi, who plays Balu Varghese’s mother, gets laughs at some places with her natural acting and dialogue.
Guru Somasundaram, who plays the role of Urvashi’s husband, does not have a big job, but he has done his job flawlessly.
Swaroop Phillip’s cinematography tries to make Kerala look like Chennai. In some places it gets picked up, but in many places it doesn’t stick. Otherwise, he has brilliantly shot the scenes, presented the plot and the characters beautifully.
Music by Subramanian K.V. is the strength of the film. He has made a difference in both songs and background music, adding strength to the film with background music that is not too noisy.
Both Achu Vijayan’s cinematography and art director’s work lend a helping hand to the film in many places.
Director Subhash Lalitha Subramaniam has tried to give a normal film to a work that talks about social justice centered on the statue of Ganesha.
The director, who has recorded the idea that God comes in human form to help those who believe in God, has also emphatically recorded that spirituality-related business is a very profitable business in the current period.
“You can put up a shop in my name, but I can’t put up a shop here. Although the director Subhash Lalitha Subramaniam has designed the scenes with social responsibility, attracting attention with some dialogues including Prasana Nan Thirudan, but the film is a bit weak because all the things have been told superficially and Kerala regions have been shown as Chennai.
However, the way Kalaiyarasan has designed the character and the dialogues spoken by the character, the way the screenplay has moved smoothly even though it has not moved fast, the style of director Pa.Iranjith has been used in many places and made it travel with the story is enjoyable.
