Casting : E.V.Ganesh Babu, Srushti Dange, Geetha Kailasam, Indra Soundar Rajan, Kannika, Mimmo, Kadhal Kandhas, Metti Oli Shanthi, Master Nidhish
Directed By : E.V.Ganesh Babu
Music By : Srikanth Deva
Produced By : E.V.Ganesh Babu
The hero Ganesh Babu lives in his native house with his wife Srishti Dange and mother Geeta Kailasam. His brother and sister who have settled abroad decide to sell the house. Even though there is no agreement, Ganesh Babu agrees. At the same time, Ganesh Babu, emotionally attached to the antique bed in the house, decides to take it away, unwilling to leave it behind. But did it cause some problems in his life and his emotional journey with the bed continued to create an environment where he had to leave the bed?, or not? That is the picture.
Ganesh Babu, who is playing the lead character, is seen in the whole film without struggling and playing with great passion. He has beautifully and profoundly expressed two kinds of emotions, happiness and sadness, in three appearances.
Actress Srishti Dange, who plays a heavy role, handles every scene with utmost care and is a huge strength of the film. This character of his will definitely add strength not only to the film but also to his screen career.
Geeta Kailasam, who plays Ganesh Babu’s mother, goes beyond the angle of being a character in the story and keeps the younger generation thinking.
Semmalar Annam, Siruvan Nitish and all the characters in the film are designed to attract attention
Cinematographer Wide Angle Ravi Shankar’s cinematography is beautiful and conveys the gravity of the story to the audience.
In Srikanth Deva’s music, all the songs are not only listenable but the lyrics are also understandable. The background music goes along with the story.
P. Len’s cinematography has tried to lighten the film and played a major role in bringing the emotions of the characters to the audience.
EV Ganesh Babu, who plays the hero of the story, has written and directed it. Although the story is written on an inanimate object, he has narrated the screenplay for it in a lively way. Srishti Tange’s visuals in the second half are eye-popping.
Since it is an emotionally focused story, the screenplay feels a bit slow moving. But when you look at it emotionally and not look down on it, you can travel along with the story and the characters.
