A scientist creates an artificial intelligence smartphone centered around a woman who can talk between humans and date singles to ease their anxiety. Businesswoman Bhagwati Perumal wants to sell the smartphone for several crores in the market, but it is stolen by thieves. Eventually, the smartphone falls into the hands of Simran’s food delivery job Siva and changes her life. At one point Smartphone Simran falls in love with Siva, does she accept it? Refused? What are the consequences? – This is the script.
In the movie which is very interesting and moves completely based on comedy without any twists, scenes like Premam film reference, Mano’s role as a priest, Kedar Jadav playing IPL, delivering food in a car and talking punch dialogue to Ayan Man are enjoyable. The film’s one-liners crackle at some points, crossing over logic violations that are festering because of the pre-warning ‘don’t look at logic’.
The ‘All India Superstar’ Siva’s natural timing comedies and body language help the entire film to be enjoyed. In between his English verses are the ultimate type!
Mano’s dialogues like ‘First time Christina changed, don’t forget that all this is necessary’, his military body language and timing dialogues remind Mano of ‘Singaravelan’. He has shown that Tamil cinema needs to use him a lot as a comedy material. Megha Akash has acted in green matte with ‘cute’ facial expressions. Anju Kurian has contributed to the story. Magaba Anand, KBY Bala, Sara, Bhagwati Perumal have realized the character.
The song ‘Smartphone Senorita’ by Leon James keeps you humming even after the film is over. His background music perfectly sets the mood for the plot. Arthur A. Wilson’s camera absorbed the light around it and produced images. The graphics are not bad and remind you of the budget.
Some parts of the film are not tiresome, giving the feeling of watching a spoof version of ‘Endran’. We have to wait when the next comedy in the film will come sir. The reason is that there is nothing beyond that in the film, and the humorous dialogues at some places are stilted at moments that are meant to be funny. The film, which covers the pros and cons of artificial intelligence technology, does not cross the line of comedy and shrinks into an overall comedy-drama.
On the whole, ‘Single Shankar and Smartphone Simran’ is less likely to disappoint the expectations of the audience who do not expect any interesting twists and turns, but go beyond logic violations.
