Casting : Madhavan, Nayanthara and Siddharth, Meera Jasmine, Kali Venkat, Aadukalam Murugadass
Directed By : S.Sashikanth
Music By : Shakthisree Gopalan
Produced By : Chakravarthy Ramachandra & S.Sashikanth

The cricket board decides to remove Siddharth, who was celebrated as the star player of the Indian cricket team, from the team and give a chance to a new one. Therefore, Siddharth is forced to announce his retirement. However, Siddharth, who does not want to end his cricket career with a defeat, wants to announce his retirement only after proving his skills by playing in the last Test match between India and Pakistan. Thus, he is determined to play in that Test match.

Madhavan, a scientist who discovers a method of running vehicles using hydrogen extracted from water as fuel, is trying to get recognition for his invention. Although his wife Nayanthara travels to support her husband’s ambition, at one point she gives up everything and comes to the conclusion that a life as a husband and a child is enough. A man who has been married for many years and has no children decides to undergo medical treatment as a last resort.

These three travel in anticipation of the last chance of their dreams and see it as the last moment to prove themselves to this world. Thus, the cricket match that brings the three of them, who are traveling with the idea that their dreams should somehow come true, puts them in a huge test. The ‘test’ is to tell whether they have passed that test and achieved the success they had hoped for in life through the game of human ego.

Madhavan, Siddharth and Nayanthara, who play the main characters, have acted monstrously. To the extent that it is impossible to immediately answer the question of who has acted better among the three, each of them has used the opportunities they have received correctly and expressed even the smallest reactions in an amazing way.

Madhavan, who plays a loser who is angry at the world that follows the winner, has menacingly revealed the villainous avatar that he takes for money, even though he tolerates everything for the recognition of his invention.

Success does not come easily, Siddharth, who plays a character who focuses only on securing that success until the end, has conveyed his intense mood to the audience with his restrained performance.

Nayanthara, who speaks in her own voice, attracts attention by acting realistically in the role of women who yearn for a child.

Meera Jasmine, who plays Siddharth’s wife, has been given a small opportunity to show that she is also in the film. She has used it properly and called it Meera Jasmine’s return.

Those who have played small roles including Kaali Venkat and Aadukalam Murugadoss have also added strength to the screenplay with their restrained performances.

The songs and background music in the music of composer Shakthishree Gopalan have traveled in a way that adds strength to the storyline.

The work of cinematographer Viraj Singh Kohli has increased the quality of the film. The way the cricket matches are presented in particular gives the feeling of watching a real cricket match rather than a cinematic one.

The work of editor D.S. Suresh, art directors N. Madhusudhan and Swetha Sabu Cyril has added extra speciality to the film.

Written and directed by S. Sashikanth, using the cricket match as the stage, has vividly and interestingly told the story of people who play with ego in life and the trials they face.

Director S. Sashikanth has emphatically recorded that the winners celebrated by the world did not reach that place easily, and that it is not enough to just want to succeed in life, you have to make an effort to do so until the end. The screenplay, which combines the mental struggles of the three characters with the game of cricket, makes the audience watch the film with the expectation of what will happen next from the beginning to the end.

Casting : Vikram, Dushara Vijayan, SJ Surya, Suraj Venjaramoodu, Puruthviraj, Balaji, Ramesh Indira, Mala Parvathy, Srija
Directed By : SU Arun Kumar
Music By : GV Prakash Kumar
Produced By : HR Picutres – Riya Shibu, Mumthas.M

hA big family from Madurai is facing a problem. Taking that problem as the reason, the police SP SJ Surya hatches a plan to kill the elder of the family, Puruthviraj, and his son Suraj Venjaramoodu in an encounter. To escape the police encounter, Puruthviraj seeks the help of Vikram, who runs a grocery store. Vikram, who has left everything and lives for his family and children, initially refuses, but when he is threatened by his family, he agrees to save them and enters the fray. Why did Vikram, who was a loyalist of the elder, leave him? The enmity between the elder’s family and the police SP S.J. Surya, and how does Vikram, who is caught up in these, deal with this problem? ‘Veera Theera Sooran – Part 2’ tells us through incredible action scenes.

The film, which begins with the problems of the elder’s family, connects the audience with the story from the very beginning, and the tension that travels through the screenplay also affects the audience. After that, the twists and turns that come with Vikram’s entry and the threatening action scenes keep the audience on the edge of their seats until the end.

Vikram, who lives peacefully as a family man with a wife and children, expresses all his feelings like fear, anger, and anguish in an aggressive manner, easily conveying the sentiment in the film beyond the action film to the audience. The actor who has intimidated the audience with his atrocity of entering the police station with a jatti, even uttering the line “Hey..” in a mass manner, makes the audience applaud.

Thushara Vijayan, who plays Vikram’s wife, has scored her performance by expressing her fear-filled anguish and her desire to escape, and she tries to save her husband who is under attack and threatens to take a knife in her hand for her husband.

S.J. Surya, who plays a police officer, has abandoned his usual style and stepped up his game in acting. He has established his character, which revolves around enmity and intrigue, in the minds of the people through his performance.

Purudviraj, who fights to save his son, Suraj Venjaramoodu, who tries to escape from a police encounter, and their family women, all have acted in a way that adds strength to the screenplay.

G.V. Prakash Kumar’s music not only moves the story along briskly and fast, but also conveys the tension in the scenes to the audience through the background music. The background music of the action scenes and the bejeezum that comes when Vikram is shown remains in our ears even after the film ends.

Cinematographer Theni Easwar’s lighting in the night scenes is stunning. Even though many incidents happen in one night, he has displayed them very elegantly and grandly.

Although the film is kept moving at a fast pace with many characters, their changing personalities, many incidents, and twists and turns from scene to scene, the film editor Prasanna GK has edited the scenes so that the audience can pay attention to the emotional aspects of the screenplay.

Fight training director Phoenix Prabhu’s fight scenes are both terrifying and real. In particular, the horrific incident that takes place in the final scene is not just a fight scene, but also draws attention by expressing the anger and hatred of the characters.

Director S.U. Arun Kumar, who keeps the film moving briskly and quickly from the first scene to the last scene, keeping the incident that takes place in one night, the various characters, their changes, and the intrigue and enmity that travels between them, creates the expectation in the audience that who is that character? Without showing the character Dileep, he creates the expectation of who is that character.

Although the flashback of Kaali? and that strange incident of Kaali and Kaali’s action-packed fight scenes are all features that make the fans celebrate, the gun culture that does not exist in Tamil Nadu refuses to fit into the screenplay and seems to have been imposed for the Pan India aspect.

Although it is an action commercial film, director S.U. Arun Kumar, who has not exaggerated anything and at the same time given importance to all the characters in the screenplay, has given the mass commercial film in a way that the fans will celebrate.